On Reading Shelley’s Defence of Poetry
I can’t stay in my seat but wander o’er bracken into a cabin
with cardinal windows and static air, I’m the mink on display
and the dusty gleam, and the ticket I bought to my mom’s
kidney transplant, mixing self with self, like the quelled
fever on the B103 at the mannequin hour,
assembled and separate, in that way home, and so you part
with me and repair, like the accordion I sing a little
let my daughter out the door to visit
the store kitten as I reclaim
the ice house like a toy chapel
and the tidy battering abdomen and wings like separate
thinking at the sugar pane and the water sound of the central linen
it frames the mixing greens and past
them saplings and the pasture of raw paint
and sky as apparent as wrong
for these days ice house is store of kidnapped children
but she makes it home with the tail of a candy bar
and fare thee well to the urban heath
strokes Benjamin of the tunnels o son shake off
the jealous platform on the up-
schlep at Utica and lick the bottles of gossiping
syrups the so what cloth on the forehead of ice
shake it with the pullet acacias that shimmy in carnival dusters
and the cop in stirrups unhooked up trouble in the landscape stamp
the whispering of pillars that clings
You say seaside light on the blufflike projects
the same ocean open notebook I wonder of
your poem of this sore agora what doors o son
you spin away from what keyholes draw you back
Ask why nude apples
are standing in raw circles
in the snow of whom?
The wooden laughter
seizes the wood
and leaves it, seizes
it but could
you chase down
the mooning
spirit in the well
spots of the forest?
In the meantime
no one comes out
the otherwise ample
house
to smooth my hair.
A pair of finches,
pudgy and
contrapuntal, is ornament
on the electrical
lines like
rosettes I’m forgetting
on the hem of
whose gown?
Ben Gantcher’s first book of poems, Snow Farmer (CW Books, 2017), was a finalist in several book contests. His work appears in many journals, including Tin House, Guernica and The Brooklyn Rail, and he was Poet of the Week at Brooklyn Poets. His chapbook Strings of Math and Custom was published by Beard of Bees Press, and his first poetry manuscript, If a Lettuce, earned finalist honors in the National Poetry Series and Bright Hill Press contests. A recipient of a LABA fellowship as well as residencies from the UCross Foundation and the Omi International Arts Center, Gantcher is a Pushcart Prize nominee and a former poetry editor of failbetter. He teaches math and Language Structures at Saint Ann’s School in Brooklyn, where he lives with his family.
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