Pulled Over
I. To the Cop, For Arresting Me
How you doin tonight officer?
No I don’t know how fast I was going
officer, I don’t believe I was paying attention
to the dashboard. I was singing.
No I don’t know how fast I was going
over the limit. Can you see my hands? I’m reaching over to
the dashboard. I was singing
so loud I didn’t hear your siren, officer. My backtalk is
over the limit? Can you see my hands? I’m reaching over to
open the door and step out of the vehicle. Why you yelling
so loud? I didn’t hear your siren. Officer, my backtalk is
a misunderstanding. I’m just trying to
open the door and step out of the vehicle. Why, you yelling
for backup? Officer, I think there’s been
a misunderstanding. I’m just trying to
make it home. Am I under arrest? What are the handcuffs
for? Back up. Officer, I think there’s been
a mistake. Can you let me go? My mom gon worry if I don’t
make it home. Am I under arrest? What, are the handcuffs
supposed to scare me? Listen, let’s just forget this. Chalk this up as
a mistake. Can you let me go? My mom gon worry if I don’t
pick up the phone. She’s calling right now. And your gun is
supposed to scare me? Listen. Let’s just forget this. Chalk this up as
an apology. Officer I’m sorry, don’t kill me, I don’t want to die.
II. To the Mother, When Your Baby Still Hasn’t Made It Home
Pick up the phone, she’s calling right now. And your gun is
on the nightstand because daddy died by the blue. His last words
an apology—Officer I’m sorry, don’t kill me, I don’t want to die.
When you hear your daughter’s voice you touch the Bible
on the nightstand. Because daddy died by the blue—his last words
on repeat in the mind’s playlist—you lose it
when you hear your daughter’s voice. You touch the Bible
and only the Lord’s name falls from your lips. That old prayer
on repeat in the mind’s playlist, you lose it
when a police car pulls behind you
and only the Lord’s name falls from your lips. That old prayer
doesn’t work here. Before he died, daddy said
When a police car pulls behind you,
get your stuff out of the dashboard. Reaching for things
doesn’t work here. Before he died, daddy said
Teach your girl what to do. At the police station, you
get your stuff out of the dashboard, reaching for things
the way you were taught, slowly. Carefully. You hear him again in your mind—
teach your girl what to do. At the police station, you
put on your nice, innocent voice, lay it on
the way you were taught, slowly. Carefully. You hear him again in your mind—
Officer I’m sorry, don’t kill me, I don’t want to die.
Put on your nice, innocent voice. Lay it on.
How you doin tonight officer?
Taylor Byas is a second year Creative Writing PhD student at the University of Cincinnati. She completed her Masters in English at the University of Alabama at Birmingham, where she was a part of the reading and editing staff for both Birmingham Poetry Review and NELLE. Her work appears or is forthcoming in New Ohio Review, Borderlands Texas Poetry Review, Jellyfish Review, Iron Horse Literary Review, Another Chicago Magazine, and others.