Antiquity Abecedarian
Augustine was a buzzkill, sure, but
before that he sounds like a guy I
could hang out with, commiserating over
doomed affairs with a draught of Berber wine,
erupting into conjugated tears over the loss of our loves.
For years I feared I’d
gotten a bum one, a fritzing heart over
heating with the slightest spark, lamb mewling for its own
immolation, as if it was
just me cruising the alleys of distracted romance,
knuckles bloodied from knocking on doors,
loosing the snakes from where they hung on my bones.
Mostly now I see how want playacts as
need, how desire zombies, Coleridge
opiumed and dreamy but still shitting his
pants. You’d think then I’d just
quit—get me to a nunnery!
Retire my red-laced underwear
singing from my skirts to Argonauts!
Tanned and muscley Argonauts!
Understand now it’s not Jason I want but his
viciousness, the strut and sail, taking
women and loving into them children winged, doomed,
x’s on islands I can’t go back to. I sail to the map’s lip,
yaw over its edge. I be-flag and name this dark
zone Disaster. I name Disaster home.
Song in the Key of Negged
I check the mailbox every few minutes, but of course I mean I check
my phone, grub for alerts, wait to be pinged into meaning. I am a good dog,
good girl—rub my neck, palpate my belly. I’ll chew the heart from a chicken
and offer you its meat—do you see it’s not the meal I’d kill for but you
don’t see, Oedipus sans incest, all pomp and robes and ruin. I’d heard rumors
of where you’d come from, what you’d do, and I thought what fools
to not break through to the nougat of potential inside, the real you
hidden under anger like a man bringing up the rear of a costume horse—
I saw codes in each tail twitch, every faux hoof stomp an answer to the only question
I’ve ever asked. I am putting my ear to a glass, the glass to the wall. I make the murmurs
mean. Even in the silence I measure out a message, the longitude and latitude
of where my body meets your need, a country where I am the name of the river,
you the mouth of the sea. You grab my neck and hold tight like a kiss
you can’t stop meaning, take me to the lake, watch me sink for want of salt.
There was something else I meant to say, before you filled my throat.
Erin Adair-Hodges is the author of Let’s All Die Happy, winner of the Agnes Lynch Starrett Poetry Prize. Recipient of The Sewanee Review’s Allen Tate Prize and the Loraine Williams Prize from The Georgia Review, her work has been / will be featured in such places as PBS NewsHour, American Poetry Review, Kenyon Review, Ploughshares, Prairie Schooner, The Rumpus and more. Born and raised in New Mexico, she is now an assistant professor of creative writing at the University of Central Missouri and the co-editor of Pleiades.