{"id":3939,"date":"2013-06-30T01:54:52","date_gmt":"2013-06-30T01:54:52","guid":{"rendered":"http:\/\/sporkpress.com\/?p=3939"},"modified":"2013-06-30T01:54:52","modified_gmt":"2013-06-30T01:54:52","slug":"3-poems-brad-fest-pt-12","status":"publish","type":"post","link":"https:\/\/thisissporkpress.com\/archive\/2013\/06\/30\/3-poems-brad-fest-pt-12\/","title":{"rendered":"3 Poems || Brad Fest Pt. 1\/2"},"content":{"rendered":"<p><strong>2013.01<\/strong><br \/>\n&nbsp;<br \/>\nTranscribed as numerals, the New Year<br \/>\nalways looks futuristic. \u201c2013\u201d doesn\u2019t always<br \/>\ndesignate the same thing. It lacks the riot of<br \/>\nother forms.* Take two-thousand thirteen Common Era.<br \/>\n&nbsp;<br \/>\nThis epoch of sound in which little (could stop)<br \/>\nole\u2019 me (from) asking around about how veterans measure time\u2014<br \/>\nhow they couldn\u2019t quite get it, quite get how sound is made\u2014<br \/>\nsound like some old crusty <em>mademoiselle<\/em>, some ether night,<br \/>\n&nbsp;<br \/>\nsome Latter Day Lady Saint Django who lets McFly remain<br \/>\nan enigmatic constant [. . .]. I\u2019ll admit this: it ain\u2019t<br \/>\nthe most pleasant aria, nor line of questioning* : this ridiculous<br \/>\nhalf-haphazard 2013, this considered inversion,* this year<br \/>\n&nbsp;<br \/>\nof fabulous living,* of old reality, of new petty tragedies:<br \/>\nit means reliving the past through its constant addictions and failures.<br \/>\nYay.<br \/>\n&nbsp;<br \/>\n&nbsp;<br \/>\n_______________________<br \/>\n<em>::notes<\/em><br \/>\n* Take, perhaps, a militant anti-children stance.<br \/>\n* Pink\u2019s shit day. (And yellow, half red and black, and etc.)<br \/>\n* \/intervention.<br \/>\n* of nukes.<br \/>\n&nbsp;<br \/>\n___________________________________________________________________________<br \/>\n<strong>2013.02<\/strong><br \/>\n&nbsp;<br \/>\nTurn around w\/ your stupid conviction, autistically<br \/>\nprostituting yourself for the betterment of your ancestors.<br \/>\nYou\u2019re so profound, so, how shall we say, liked; you\u2019re a<br \/>\ncancer upon the digital age, a fathomless apex of Prufrock-<br \/>\n&nbsp;<br \/>\nlike despair. Thank god it\u2019s you and ain\u2019t me. For if it were me<br \/>\nI\u2019d disown my family, turn aside all invitations to contribute<br \/>\nor sympathize, caustically pretend to feel stuff that I\u2019ve never<br \/>\neven admitted admitting the legality of feeling in the first place,<br \/>\n&nbsp;<br \/>\nand then close the warehouse door, slam shut the liminal space<br \/>\nb\/t you and some other thing, b\/t me and the things that have<br \/>\nonly been suggested\u2014we\u2019d all be fantastic in the night delirium<br \/>\nof standard forms and new friends and your spare heroes.<br \/>\n&nbsp;<br \/>\nThis is the volta. This is the moment where the above ceases<br \/>\nto resonate. We\u2019ll be fantastic. We\u2019ll drown upon waking. Yes.<br \/>\n&nbsp;<br \/>\n&nbsp;<br \/>\n___________________________________________________________________________<br \/>\n<strong>2013.03<\/strong><br \/>\n&nbsp;<br \/>\nHello. You are reading this poem. You are<br \/>\nreading it for the journal that you\u2019ve agreed<br \/>\nto wade through mountains of shitty poetry for.<br \/>\nAren\u2019t you special, aren\u2019t you fantastic. For you<br \/>\n&nbsp;<br \/>\nare. You are the cutting edge of the literary scene,*<br \/>\na paragon of judgment and authority, w\/ a fair share<br \/>\nof democratic spirit thrown in. Congratulations. But<br \/>\nI imagine you ain\u2019t proud of yourself, or think you\u2019re<br \/>\n&nbsp;<br \/>\n\u201celite,\u201d or whatever. You\u2019re just wading through this<br \/>\nstack of poems, hoping something comes out the other<br \/>\nend, hoping something hits you enough so that you can<br \/>\ngo to your editor saying, \u201cHey, this one, amongst the<br \/>\n&nbsp;<br \/>\ntrash heaps of everything else we got, this one ain\u2019t so<br \/>\nbad, so, you know, maybe we could publish it?\u201d Yes.<br \/>\nYou should.<br \/>\n&nbsp;<br \/>\n&nbsp;<br \/>\n_________________________<br \/>\n<em>::notes<\/em><br \/>\n* Whether you like or realize it or not.<br \/>\n&nbsp;<br \/>\n&nbsp;<br \/>\n___________________________________________________________________________<br \/>\n<strong>Bradley J. Fest <\/strong>received his MFA in poetry from the University of Pittsburgh, where he is now a Visiting Instructor and PhD candidate studying nineteenth through twenty-first century American literature. This April he will defend his dissertation, \u201cThe Apocalypse Archive: American Literature and the Nuclear Bomb.\u201d His work has appeared in <em>boundary 2, Studies in the Novel,<\/em> and <em>Critical Quarterly<\/em>, and he has an essay forthcoming this spring in <em>The Silence of Fallout: Nuclear Criticism in a Post-Cold War World<\/em>. His poems have appeared in <em>Open Thread, BathHouse, Flywheel<\/em>, and elsewhere. He blogs regularly at <a href=\"http:\/\/bradfest.wordpress.com\/\">The Hyperarchival Parallax.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>2013.01 &nbsp; Transcribed as numerals, the New Year always looks futuristic. \u201c2013\u201d doesn\u2019t always designate the same thing. It lacks the riot of other forms.* Take two-thousand thirteen Common Era. &nbsp; This epoch of sound in which little (could stop) ole\u2019 me (from) asking around about how veterans measure time\u2014 how they couldn\u2019t quite get [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,2],"tags":[],"class_list":["post-3939","post","type-post","status-publish","format-standard","hentry","category-uncategorized","category-things"],"_links":{"self":[{"href":"https:\/\/thisissporkpress.com\/archive\/wp-json\/wp\/v2\/posts\/3939","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thisissporkpress.com\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thisissporkpress.com\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thisissporkpress.com\/archive\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thisissporkpress.com\/archive\/wp-json\/wp\/v2\/comments?post=3939"}],"version-history":[{"count":0,"href":"https:\/\/thisissporkpress.com\/archive\/wp-json\/wp\/v2\/posts\/3939\/revisions"}],"wp:attachment":[{"href":"https:\/\/thisissporkpress.com\/archive\/wp-json\/wp\/v2\/media?parent=3939"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thisissporkpress.com\/archive\/wp-json\/wp\/v2\/categories?post=3939"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thisissporkpress.com\/archive\/wp-json\/wp\/v2\/tags?post=3939"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}